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The Cambridge Journal of Law, Politics, and Art: Issue 2, 2022/23

Edited by: Alexander Kardos-Nyheim

ISSN: 2754-0286-02

Published: March 2023

Publisher: Cambridge Journal of Law, Politics, and Art

Country of Publication: UK

Format: Paperback, A4

Price: £29.95

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The Cambridge Journal of Law, Politics, and Art is the UK's largest and most ambitious student-run journal, and the only one written jointly with experts. Expert contributors include Matthew H Kramer, Judith Butler, Oleg Tistol, Paul Pickering, Louis Fisher, Sir Vernon Bogdanor, and Giles MacDonogh. They write alongside the most talented students from the UK and abroad.

Professional, gallery quality
Front cover illustration by Michael Sandle
Back cover illustration by Oleg Tistol
393 pages
Paperback
290 x 226 x 20mm
1.38kg
100gsm silk paper
Litho inks
FSC mixed credit and carbon-balanced through the World Land Trust

Subjects:: General Interest

Contents:: Front Matter; Why would an Atheist Write a Commentary on the Bible?, Matthew H. Kramer; A Note on the Controversy concerning Eric Gill, Peter Brooke; Political Messianism, Redemption of the Past, and Historical Time, Max Klein; Arborescence, Jack Graveney; ‘Un noble décor’: Modernity and Depictions of the Countryside in Colette’s La Maison de Claudine and Sido, Rosalind Moran; HORTENSIUS, or On the Cultivation of Subjects in Noman’s Garden: Toward a Post-Foucauldian Account of Subjectification, Jojo Amoah; Notre-Dame de Paris: Pyrolysis Hypothesis and Fire Safety in Historical Buildings, Rémi Desalbres; The Task of the Curator in the Era of Reconciliation, Caroline DeFrias; Belief in a Myth and Myth as Fact: Towards a More Compassionate Sociology and Society, Niamh Hodges; Karl Heinz Bohrer’s A Little Pleasure in Decline. Essays on Britain, Giles MacDonogh; In Conversation with Professor Judith Butler, Judith Butler, Teresa Turkheimer; The Glitz and Glamour of the Metaverse, Danielle Jump; The Thin End of the Wedge: How Trans Rights Have Emerged as a Keystone in the Feminist Politics on Bodily Autonomy, Katherine Cross; ‘Private Vices, Publick Benefits’ in Permissive Democracies: Mandeville’s The Fable of the Bees in the Context of Transgressions by Western Political Classes, Daniel Morgan; Djokovic, the Australian Open, Idiots and Cov-idiots: What would Nietzsche say?, Dmitri Safronov; Notes on Counter-Archives: ‘Recovering’ Queer Memory in Contemporary Art, Sophia Dime; ‘We’re All Mad As Hell Now’: How Network (1976) Captures the Anti-Politics of Social Media, Katherine Cross; Where the Thames Meets the Sea, Julian Kirwan-Taylor; Blaze of Glory, Jack Graveney; Stand Up for Singapore: Music and National Identity in a Cosmopolitan City-State, Nicholas Ong; Can Modern Appropriation Art be Reconciled with Copyright Law? A Closer Look at Cariou v. Prince, Marysia Opadczuk; Iconoplastic: An Institutional Reform Agenda, Polly Mackenzie; Amir Tataloo, Beyond Resistance and Propaganda: The Appropriation of Iranian Rap Music and the Negotiation of its Legality, Casper Alexander Sanderson; Copyright in the Digital Age: Analysing the Achievements and Flaws in the EU Copyright Exceptions Domain, Daniel Mooney; Art in the Time of NFTs: Navigating the Challenges and Role of NFTs in Artists’ Reclamation of Control over their Publicity Rights, Bo Hyun Kim; ‘What’s in a Name?’ The Role of Motive in the Definition of a ‘Terrorist Act’ under the Australian Commonwealth Criminal Code, Deborah White; Unfiltered, Candid, and Interdisciplinary: Reflections on the ‘Human values and global response in the Covid-19 pandemic’ 2022 Tanner Lectures, Clare Hall Tanner Lecture Working Group; The Ministerial Code: A Scarecrow of the Law?, Shulamit Aberbach, Mishcon de Reya; All Form but No Substance? A Critical Examination of the ENP’s Success in Promoting Democracy and Good Governance in the EU’s Neighbourhood, Dilys Tam So Yin; The Forgotten Question: Clarifying the Extent of the Protection Afforded by Actual Occupation under the Land Registration Act 2002, Fred Halbhuber; The Problem of Sieving Related Party Transactions in India and the UK, Varda Saxena; Animal Law and Ireland: More Questions Than Answers, Etain Quigley; Warfare’s Silent Victim: International Humanitarian Law and the Protection of the Natural Environment during Armed Conflict, Lydia Millar; Re Toner [2017] NIQB 49, Dr Lillian Pollack; Holding War Criminals to Account: The Challenges Presented by Information Warfare, Alexandra Agnew, Mishcon de Reya; In Conversation with Professor Vernon Bogdanor, Professor Vernon Bogdanor, Teresa Turkheimer; Should Terrorism be Regarded as an International Crime? An Examination of the Theoretical Benefits and the Practical Reality, Eoin Campbell; The Claim of Judicial Finality in the United States: A Popular Theory that Lacks Evidence, Louis Fisher; Given the Court at Strasbourg’s Jurisprudence, Are Fair Trials Achievable Under the ECHR?, Damian P. Clancy; The Fight for Survival Fifty Years On: A Brief Synopsis on Law Centres in the UK, Ayesha Riaz; Dawn of the Digital Age is upon us: Is Artificial Intelligence a Substantial Threat to the Law in the Twenty-First Century?, Jamie Donnelly; The Cis-normativity of Consent in Deceptive Sexual Relations, Juana de Leon; Making Consent Meaningful Again: A Review of the Online ‘Consent’ Model and Alternative Approaches, Jialiang Zhang; Making the Law ‘Take its Own Course’, Jyoti Punwani; In Conversation with Stephen Marche, Stephen Marche, Charlotte Friesen; A Flawed Democracy, John Rennie Short; In Conversation with Iqan Shahidi, Iqan Shahidi, Casper Alexander Sanderson; Heraldic Politics: Why Flags Still Matter, Edward Lucas; In Conversation with Dr. Alison Gilliland, Dr. Alison Gilliland, Kylie Quinn; ‘The Eyes of the World Are Upon You’: The Role of International Organisations in the Suez Crisis,; Asa Breuss-Burgess; In Conversation with Amitav Acharya, Amitav Acharya, Richa Kapoor; Is Peace Merely About the Attainment of Justice? Transitional Justice in South Africa and the Former Yugoslavia, Alejandro Posada Téllez; Bonnie and Clyde, Schopenhauer, and the Paradox and Problem of Innocence, Paul Pickering; Putin’s Propaganda: A Path to Genocide, Marta Baziuk; Three Stories of Art and War, Peter Bejger, Constance Uzwyshyn; The Art Industry in Ukraine During the War, Igor Globa, Maria Sivachenko, Anastasiia Yatsyna; A Fictional War (Which the West Can’t Win), Lesia Daria; No Place Like Home: An Emigrant’s Epic Tale, Lesia Daria; In Conversation with Mariya Ionova (MP), Member of Ukrainian Parliament, Mariya Ionova, Yevdokia Sokil, Constance Uzwyshyn; In Conversation with Oleg Tistol, Ukrainian Artist, Oleg Tistol, Peter Bejger, Constance Uzwyshyn